Two shoot days open in January
Video people
watch twice.
Rerun is a video and short-form studio in San Diego. Brand films, ads and forty shorts a month for consumer brands, cut to be watched again.
Oat & Ember
0:24
Watched
2.6×
Morning Pour
0:18
Watched
2.2×
Lowtide Strength
0:31
Watched
1.9×
Slip & Throw
0:27
Watched
2.8×
Soft Hours
0:20
Watched
2.4×
Tessel Kitchen
0:29
Watched
2.1×
Morning Pour
0:15
Watched
3.1×
Lowtide Strength
0:26
Watched
1.8×
Oat & Ember
0:21
Watched
2.3×
Slip & Throw
0:33
Watched
2.0×
Soft Hours
0:17
Watched
2.5×
Tessel Kitchen
0:28
Watched
1.7×
Oat & Ember
0:22
Watched
2.2×
Morning Pour
0:12
Watched
3.4×
Rerun makes brand films 
ads 
and forty shorts a month 
for consumer brands. One team shoots, cuts and posts, so the thirty-second version and the three-minute version tell the same story.
Selected films
Shot in a day or two.
Six weeks at Lowtide
One new member, six weeks, no voiceover.
Lowtide Strength
Brand film
2:10
Opening week
A studio opening, told from the wheel.
Slip & Throw
Launch ad
0:45
Tuesday's box
One box, one board, one dinner.
Tessel Kitchen
Campaign film
1:00
Night shift
The evening routine, in real time.
Soft Hours
Brand film
1:30
From the bench
Why the bars are still made by hand.
Oat & Ember
Brand film
2:40
One short,
played by your scroll.
What we make
and what it costs.
Brand films
A two to three minute film that says what you make and why, shot in a day or two.
Ads
Fifteen, thirty and sixty second cuts for paid social and TV, delivered with captions.
Shorts
Forty a month from one shoot day, sized for each app and ready to post.
Shoot days
A crew of three with lights and sound, and a shot list you approve first.
Cut-downs
The film you already have, recut into a month of shorts.
Said by the people
who post them.
We stopped arguing about what to post. A folder arrives every Thursday and we post it.
Dana Whitlock
Founder, Oat & Ember
The fifteen second espresso ad outsold everything we had made in two years.
Marcus Lindahl
Head of brand, Morning Pour
They filmed for one morning and we had a quarter of content. Members ask to be in the next one.
Priya Raman
Owner, Lowtide Strength
Our film and our shorts finally look like the same company made them.
Elena Marsh
Marketing lead, Soft Hours
Three ways
to book us.
Prices in US dollars. No contracts longer than three months.
Shorts
For brands that need to post most days.
$3,600
a month
One shoot day a month
Forty shorts, captioned
Three sizes for each app
Two rounds of notes
A folder every Thursday
Film and shorts
Most booked
A new film each quarter and shorts in between.
$6,900
a month
Everything in Shorts
A brand film or ad set each quarter
Two shoot days a month
A numbers call every month
Raw footage on a drive
Booked about six weeks ahead
Launch
For a product or a shop that opens on a date.
$14,500
once
One brand film
Three ads in three lengths
Sixty shorts over six weeks
A posting plan for launch day
Raw footage on a drive
Questions
we get every week.
How fast is the first batch?
Ten shorts land the Thursday after your shoot day. The other thirty follow over the next three weeks.
Do we need to be on camera?
No. About half our clients never appear. Hands, product and place carry most shorts.
Who owns the footage?
You do. Every project ends with a drive of the raw files and the finished cuts.
Can you work with footage we already have?
Yes. Cut-downs start from your existing film or a phone folder, and we tell you honestly what is usable.
Where do you shoot?
San Diego and Los Angeles without travel costs. Anywhere else in the US with two weeks of notice.
What if a short flops?
Some will. We read the numbers each month, drop what is not working and make more of what is.
Notes
from the edit.
4 November 2026
Why we cut every short to loop
A rewatch counts as a view. The last frame should hand back to the first.
21 October 2026
One shoot day, forty shorts: the shot list
The list we send clients before we arrive, and why it has only twelve lines.
7 October 2026
The first two seconds are not a hook
Start in the middle of an action. Explain nothing until second three.
